The Daily

Claude Chabrol, Bong Joon Ho, Ann Hui, Anna Cobb, and Wei Shujun are among the names that have come up this week.

The retrospective lays the groundwork for the release of a new restoration of Army of Shadows.

The festival will premiere new work from Pedro Almodóvar, Alice Rohrwacher, Alfonso Cuarón, and Athina Rachel Tsangari.

RaMell Ross’s Nickel Boys will open the NYFF, and TIFF and Venice Critics’ Week have unveiled lineups.

The UK premiere of the new restoration of Werckmeister Harmonies at Cinema Rediscovered 2024 launches a retrospective.

We’re looking back to films by Pakula and Oshima, and from the 1990s, by Claire Denis and Richard Shepard.

Daniella Shreir, the translator of a collection of Duras’s writing on her films, has curated a comprehensive retrospective.

Summer reading options range from fiction to philosophy, from the fog of war to finicky fame.

With a deep dive under the hood of Ferrari, Mann aims to explain how he goes about making a movie.

Caden Mark Gardner and Willow Catelyn Maclay’s new book assesses the history and future of transness in cinema.

We dive this week into the worlds of Jean Eustache, Walerian Borowczyk, John Ford, Kozaburo Yoshimura, and Chris Marker.

With an inexplicable, irresistibly magnetic charm, she immediately drew our attention—and won our hearts.

Hong Sangsoo, Ramon and Silvan Zürcher, Wang Bing, Ben Rivers, and Pia Marais will premiere new work the International Competition.

Metrograph’s series celebrates the legacy of one of the most notorious cinema clubs in London.

This year’s edition opens with jazz, features three revivals, and wraps with Godzilla.

Both Columbia Pictures and Marcello Mastroianni turn 100 this year, and Locarno and Venice are set to celebrate.

The other big winner in Karlovy Vary is Lilja Ingolfsdottir, whose Loveable takes home five awards.

Pop Shakespeare, 100 years of Disney, and conversations with Isaac Julien and Steven Soderbergh are among this week’s highlights.

The Museum of the Moving Image celebrates the centenary with four features and a newly restored documentary.

BAM will launch a nine-film series with the one film that stars both, Robert Altman’s 3 Women.

Alain Guiraudie and Angela Schanelec discuss their new films, Albert Serra opens an exhibition, and Paul Schrader gets ranked.

This year’s edition offers discoveries, restored classics, and plenty of star power.

A happily married lawyer strikes up an affair with her teenage stepson in Breillat’s first feature since Abuse of Weakness (2013).

Costars and critics remember an outstanding actor who neither looked nor sounded like a movie star.