The Daily

Along with conversations with David Cronenberg, Alain Guiraudie, and Lemohang Jeremiah Mosese, the week offers a dossier on “the cinema of the senses.”

The festival’s twenty-fifth edition offers a five-day binge of midnight movies.

Headlining this month’s roundup are Joan Didion, Merle Oberon, and Charlie Chaplin.

Spend the weekend with Buñuel, Pasolini, Sarah Maldoror, Todd Solondz, and Pedro Almodóvar.

Top prizes in the narrative and documentary feature competitions go to Amy Wang and Benjamin Flaherty.

New restorations of The Hour of Liberation Has Arrived (1974) and Leila and the Wolves (1984) arrive in the U.S.

The Museum of the Moving Image’s annual showcase of “adventurous new cinema” is on from Wednesday through Sunday.

We’re spotlighting fine writing on Ben Rivers, Errol Morris, David Lynch, Želimir Žilnik, and Laura Carreira.

An award-winner in Berlin, Philippe Lesage’s gripping slow burner is set for a theatrical run in the U.S.

The Parisian art-house cinema has programmed a series running at various venues throughout New York City.

The Melbourne Cinémathèque presents selections from the four phases of a profoundly influential oeuvre.

Sean Baker’s eighth feature wins five top Academy Awards.

His range was astounding, and yet every performance was immediately recognizable as uniquely his.

We’ve gathered some of the best writing on each of the nominees for Best Picture Oscar.

Along with the premieres and parades, this year offers an oddity from Michael Almereyda and Courtney Stephens.

This month brings deep dives into the work of Ken Loach and Radu Jude as well as new books on Isabelle Huppert, Holly Woodlawn, and more.

In the run-up to the Oscars, Sean Baker calls on independent filmmakers to band together as a community.

Todd Haynes’s jury gives the Berlinale’s top awards to films by Dag Johan Haugerud, Gabriel Mascaro, Iván Fund, Huo Meng, and Radu Jude.

This week we’re revisiting work by Zeinabu irene Davis, Chantal Akerman, Claude Lanzmann, Wang Bing, and Joan Micklin Silver.

The pioneer of African cinema carried “the inventive temperament of a dreamer armed with a firm political orientation.”

Richard Linklater and Ethan Hawke reteam to prove once again that few can make talk livelier or more engaging.

On our minds this week: Chantal Akerman, Ang Lee, and Akira Kurosawa.

Isolated sequences are dazzling, but as a whole, The Light may be difficult to buy into.

As the magazine celebrates its centennial, Film Forum presents a series of stories drawn from its pages.