The Daily

Darling and Dogma are back in theaters, and Edmund White is remembered with his great essay on Jean Genet and Jean Cocteau.

From Hitchcock to Kubrick, Star Wars to Twin Peaks, the selection ranges as wide as the film gauges.

Acropolis Cinema presents the LA premiere of The Damned and the world premiere of a new restoration of The Passage.

At MoMA, curator David Schwartz celebrates seventeen landmark New York screening venues.

Within the past few days, we’ve lost a vital film historian and a vibrant artist.

Wes Anderson celebrates Satyajit Ray, Chantal Akerman talks framing, and Callie Hernandez writes about Jonathan Glazer.

The festival is hosting film premieres, live performances, immersive experiences, and conversations about a few enduring movies.

BAMPFA spotlights postwar American noirs creeping out into wide-open spaces.

Along with Rebuilding, starring Josh O’Connor, the festival will present a fresh slate of world premieres in July.

More than a hundred films likely to make you feel bad in all the best ways will screen in eight cities this month.

The week wraps with an overlooked gem starring Jamie Lee Curtis, a new issue of Cineaste, and conversations with Lisa Lu and Takashi Miike.

Women of the French New Wave, New York in the 1960s, and the scenes behind the scenes are among the many subjects tackled this month.

The rise of fascism upended the childhoods of both filmmakers.

The triumphant return of Jafar Panahi capped off what many consider to be a terrific year at Cannes.

We’re in the mood for Wong Kar Wai, Kira Muratova, Carl Theodor Dreyer, Alan Rudolph, and Dag Johan Haugerud.

The jury honors tales of haunted appliances, an exiled community, and a life-changing diagnosis.

Lee reunites with Denzel Washington, who has been given an honorary Palme d’Or in Cannes.

Four lives begin anew in Petzold’s first film to premiere in Cannes.

Cannes 2025: Sirât and Two Prosecutors emerge as critical favorites, while Nouvelle Vague finds both champions and detractors.

There’s a lot going on besides Cannes: Kira Muratova, Glauber Rocha, Mikio Naruse . . .

The first film to premiere in competition in Cannes this year is already being discussed as a serious contender for the Palme d’Or.

The festival presents new restorations of films by Chantal Akerman, Charles Burnett, John Ford, and James Ivory.

Here’s a sampling of what we can look forward to in each of the festival’s programs.

Daniel Kehlmann’s new novel The Director reimagines the life of G. W. Pabst, and there’s a minor role in it for Leni Riefenstahl.