On Film

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1610 Results
Hud: No Place for Heroes

A career-altering artistic breakthrough for director Martin Ritt, this dark tale of a family’s downfall daringly exposes the mythology of the western hero as empty and morally bankrupt.

By Gabriel Miller

Alice Doesn’t Live Here Anymore: At Home in the World

Made in close collaboration with its star, Ellen Burstyn, Martin Scorsese’s first film for a major studio is a warm, openhearted portrait of a woman who endeavors a drastic reshaping of her life.

By Stephanie Zacharek

The Crying Game’s Legacy as Transgender Representation

Though it became the subject of cultural hysteria upon its release in 1992, Neil Jordan’s film can be appreciated today as a rare and remarkably nuanced depiction of a cisgender man and a trans woman falling in love.

By Willow Catelyn Maclay

The Crying Game: Identity Crises

Neil Jordan achieved major international success with this complex exploration of identity and desire set against the turbulence of the Troubles in Northern Ireland.

By Tasha Robinson

It Was Just an Accident: The Humanity of Doubt

Shot clandestinely in Iran in just twenty-five days, Jafar Panahi’s acclaimed eleventh feature is a philosophical examination of political ethics that transforms into a comedy of manners and a psychological thriller.

By Sheida Dayani

Desperate Living: Mortville in Revolt

One of the most outrageous films of John Waters’ early career, this brilliant portrait of queer rebellion envisions a world where the outcasts set aside their differences and band together against their fascist enemies.

By Grace Byron

Hairspray: A Clean Teen in a Filthy World

Trash icon John Waters snuck into the commercial mainstream with this delightful coming-of-age comedy, which draws on the director’s love of classic Hollywood and features charismatic performances by Ricki Lake and Divine.

By Jessica Kiang

High Art: Photo Finish

The first lesbian film of the New Queer Cinema to cross over in a big way to mainstream audiences, Lisa Cholodenko’s debut feature is a vivid portrait of a heroin-addled New York City subculture of artists, strivers, and hangers-on.

By B. Ruby Rich

West Indies: The Fugitive Slaves of Liberty: Torrents of Fire, Torrents of Blood

Unfolding in a blaze of vivacious color, Med Hondo’s musical masterpiece is a wildly ambitious exploration of the history of French colonial aggression, the enslavement of African peoples, and their subsequent liberation struggles.

By Ashley Clark

Sentimental Value: Between Trauma and the Sublime

In this powerful drama about family and memory, Joachim Trier explores how the past lives on in us, shapes us, and partly determines who we are and how we feel.

By Karl Ove Knausgård

Lenny: High-Wire Act

Featuring a quasi-documentary format that was innovative for its time, Bob Fosse’s complex portrait of stand-up comedian Lenny Bruce is a gesture of postmortem outreach from one prickly, jagged-edged artist to another.

By Mark Harris

Fresh Kill: Fluid Transmission

New-media pioneer Shu Lea Cheang’s astonishingly prescient dystopian vision takes place in a world where technology feels sticky and bodily, and where networks seep into food, water, and flesh.

By Mindy Seu

Body Heat: The Trap You Set for Yourself

In his stylish and provocative directorial debut, Lawrence Kasdan uses the vehicle of a sex-and-murder plot to explore the film’s historical moment, which gave rise to the greed and amorality of the Reagan era.

By Megan Abbott

The Delta: Across the Lines

In the landscape of gay-themed cinema, which often focuses on positivity and pride, Ira Sachs’s debut feature stands out for asking unsettling questions about the limits of queer connection across socioeconomic and racial divides.

By Michael Koresky

John Singleton’s Hood Trilogy: Born and Raised in South Central

In the trio of star-studded films that cemented his legacy as a groundbreaking figure in American cinema, the writer-director illuminated the hopes and struggles of Black communities in his native Los Angeles.

By Julian Kimble

Kinuyo Tanaka Directs: Married to Cinema

At a turning point in her career, one of Japanese cinema’s most beloved stars decided to step behind the camera, creating a string of remarkable films that possess the same honesty and warmth that distinguished her work as an actor.

By Imogen Sara Smith

Point Blank: A Dream of Full-Color Noir

A crime-cinema masterpiece whose influence can be seen in such later touchstones as Mean Streets and Reservoir Dogs, this highly stylized portrait of a gangster subordinates the needs of plot to director John Boorman’s saturated aesthetic.

By Geoff Dyer

Trouble in Paradise: Pure Style

One of Ernst Lubitsch’s favorites among his own films, this delightful pre-Code whodunit exemplifies the director’s signature European worldliness and his ingenious way of drawing viewers in as if they were coconspirators.

By Farran Smith Nehme

Monty Python’s Life of Brian: The Wrong Messiah

The legendary comedy troupe’s most fully realized film is a hilarious Biblical parody with a streak of overwhelming horror and outrage running through it.

By Bilge Ebiri

The Blade: Cutting Deep

Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.

By Lisa Morton

A Man and a Woman: Modern Lovers

Claude Lelouch’s Palme d’Or–winning breakout hit combines elements of a classic Hollywood love story with dynamic photography, an edgy editing style, and a naturalistic sense of character and location.

By Carrie Rickey

Killers of the Flower Moon: A Prayer from the Abyss

Martin Scorsese’s powerful drama, which recounts a series of killings that devastated the Osage Nation in 1920s Oklahoma, turns the historical epic into a Möbius strip that blurs audience, film, and director.

By Adam Piron

Killers of the Flower Moon: A Formal Feeling

In this true-crime epic, Martin Scorsese combines his career-long exploration of amoral gangsterism with a sobering meditation on what it means to live on American soil.

By Vinson Cunningham

Testament: In the Twilight

In her first and only theatrical feature, director Lynne Littman presents an unbearably intimate vision of apocalypse, focusing on the effects of a nuclear blast on one suburban American family.

By Michael Koresky