Spotlight
Under the Influence
In this ongoing series of videos, contemporary filmmakers talk to us about the movies that have had a lasting impact on their work.
The Criterion Collection
An online magazine covering film culture past and present
Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.
Suffused with visual beauty and moments of magical realism, Jess X. Snow’s queer diasporic cinema invites us to imagine new possibilities for freedom, transformation, and intergenerational healing.
The first documentary feature about the rock legends, Charlie Is My Darling captures the band as a group of consummate musicians coming into their fame, fully committed to their craft and enjoying one another’s company.
In her riveting documentary Mistress Dispeller, Elizabeth Lo crafts a vividly cinematic exploration of love, marital infidelity, and a drastic form of professional intervention that has become popular in contemporary China.
Martin Scorsese’s powerful drama, which recounts a series of killings that devastated the Osage Nation in 1920s Oklahoma, turns the historical epic into a Möbius strip that blurs audience, film, and director.
In this true-crime epic, Martin Scorsese combines his career-long exploration of amoral gangsterism with a sobering meditation on what it means to live on American soil.
To mark the fiftieth anniversary of the invention of VHS, the director and the editor of Videoheaven discuss how this game-changing format shaped their lives and imaginations and left a seismic impact on the film industry.
This month’s highlights include a collection of corporate thrillers, a survey of an emerging generation of trans auteurs, and a new installment of Adventures in Moviegoing with Mary Bronstein.
The acclaimed musician celebrates films that contain rich psychological layers and explore the shifting nature of identity, including masterworks by David Lynch, Pier Paolo Pasolini, and John Cassavetes.
In her first and only theatrical feature, director Lynne Littman presents an unbearably intimate vision of apocalypse, focusing on the effects of a nuclear blast on one suburban American family.
The director of Civic and Now, Hear Me Good talks about how his experience as a first-generation Caribbean American and his love of Chantal Akerman’s short La chambre have influenced his work.
Spotlight
In this ongoing series of videos, contemporary filmmakers talk to us about the movies that have had a lasting impact on their work.