On Film

5645 Results
Jeremy Thomas: An Astonishing Career

The late producer’s collaborators include Bertolucci, Cronenberg, Oshima, Skolimowski, Roeg, and Takashi Miike.

By David Hudson

Underrepresented, Women Triumph in Venice

May el-Toukhy’s Woman Unknown wins the Golden Lion, and NAZA, codirected by Rachel Szor and Yuval Abraham, wins a Special Jury Prize.

By David Hudson

Did You See This?

Turning Points

An eclectic mix this week: Iranian cinema, archival deep dives, Neptune Frost, Pauline Kael, and It Ends.

By David Hudson

Robert Greene’s Too Much Sugar

Greene ventures further into a territory where fiction and nonfiction are up to a lot more than a mere blurring of the lines.

By David Hudson

Lee Chang-dong’s Possible Love

Riding raves for Lee and his four leads, the film heads next to Toronto and New York.

By David Hudson

Did You See This?

Holding Our Own

Celebrating “reticent auteurs,” a unique London distributor, and the work of Satyajit Ray and Richard Linklater.

By David Hudson

Danny Boyle’s Ink

This year’s Venice opener propels us through the origin story of our current media hellscape.

By David Hudson

Other Goings On

As the fall festival season begins, let’s not overlook some of the other unmissable events happening elsewhere.

By David Hudson

Venice Classics 2026

The festival’s showcase of nineteen new restorations spans more than half a century of cinema history.

By David Hudson

Did You See This?

Disappearing Moments

Revisiting work by Whit Stillman, Frederick Wiseman, Nathaniel Dorsky—and lots of road movies.

By David Hudson

James Baldwin Looks Back

The illuminating 1982 documentary I Heard It Through the Grapevine follows the celebrated author on a journey through the American South, as he attempts to reckon with the legacy and losses of the civil rights movement.

By Danielle Amir Jackson

We Will Always Love Dolly Parton

She was a winning presence on the big screen, even if her movies were only a fraction of her monumental impact on popular culture.

By David Hudson

Bibliomania: A Preface to Chronovisor

The fifteen-film series sets the mood for the unique first feature by Jack Auen and Kevin Walker.

By David Hudson

Little Odessa: He Ain’t Heavy, He’s My Brother

James Gray’s extraordinary debut feature is a painstakingly distilled tale of crime and family dysfunction, captured with a merciless gaze and a sharp attention to idiosyncratic detail.

By Glenn Kenny

Isabelle Stever’s I Rarely Wake Up Dreaming

A queer couple in Kyiv is already working through a personal crisis when Russia invades their country.

By David Hudson

American Dream: The Time Is Right

In her second film, Oscar-winning documentarian Barbara Kopple captures the anguish and perils of disunity in the labor movement and the corrosion of union power during the Reagan era.

By Thom Powers

Five Radical Documentaries by Kazuo Hara and Sachiko Kobayashi: Restlessness Refusing Resolution

The pioneering husband-and-wife duo transformed the field of Japanese nonfiction cinema with their portraits of spectacular, edgy personalities and collectives under duress.

By Markus Nornes

August Books

New, forthcoming, and noteworthy titles include one of the most debated novels of the moment.

By David Hudson

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Somewhere In-Between

Touring David Lynch’s LA, listening to screenwriter Samy Burch, and deciphering Adam Curtis.

By David Hudson

Graham Greene at the Harvard Film Archive

A retrospective spotlights the writer’s collaborations with Carol Reed, Fritz Lang, John Ford, Alberto Cavalcanti, and George Cukor.

By David Hudson

Art-House Sci-Fi

BAM presents visions of a few possible utopias—and plenty of dystopias.

By David Hudson

Presented in VistaVision

The Academy Museum has outfitted its theater to present a series of “ultra-rare VistaVision prints as well as 70 mm remasters and new 6K digital scans.”

By David Hudson

Locarno’s Leopards

Top prizes go to Florin Șerban, Hong Sangsoo, Alessandra Sanguinetti, and Beatrice Gibson.

By David Hudson

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Inner Friction

Fine writing on Powell and Pressburger, James Gray, Catherine Breillat, and Richard Linklater—plus: Isabelle Huppert on Claude Chabrol.

By David Hudson