On Film
House Party: What’s Understood
Unencumbered by the white gaze, Reginald Hudlin’s groundbreaking feature-film debut is a celebration of a Black community in all its diversity, featuring fully realized characters who exist not as spectacle but as reality.
Once Upon a Time in Harlem
William and David Greaves’s film captures a gathering of Harlem Renaissance luminaries in 1972.
January Books
The new year brings an ode to Judy Garland, conversations with Martin Scorsese, and a novel by John Sayles.
Revisitations
This week: Max Ophuls, Erich von Stroheim, David Lynch, the Biden years, and the best of 1935.
Sinners Scores a Record Sixteen Oscar Nominations
Ryan Coogler’s genre mashup now leads what has become a genuine race.
Martin Scorsese’s World Cinema Project No. 5
Yam daabo: On Idrissa Ouédraogo’s Humanist Cinema
A deft mixture of family epic, romantic melodrama, landscape cinema, and comedy, Burkinabe director Idrissa Ouédraogo’s landmark film balances the universality of its themes with the fierce individuality of its characters.
Martin Scorsese’s World Cinema Project No. 5
Kummatty: A Children’s Movie for Adults
At once earnest and fantastic, carefree and mindful, G. Aravindan’s richly imagined work of folklore channels the director’s deep spiritual vision through the form of a children’s story.
Martin Scorsese’s World Cinema Project No. 5
The Fall of Otrar: From the Ruins of Otrar
This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.
Martin Scorsese’s World Cinema Project No. 5
Chronicle of the Years of Fire: Chronicle of a Nation in Revolt
A singular achievement in Arab film history, Mohammed Lakhdar-Hamina’s sweeping political epic is a memorial to the lives lost in the struggle for Algerian independence.
Notes on the 2026 Berlinale Lineup
New films by Angela Schanelec, Lance Hammer, and Mahamat-Saleh Haroun will premiere in the competition.
The Dead: Another Year
The constant negotiation of routine pleasure and profound sorrow—the experience of being human—is at the heart of John Huston’s final film, an exquisite adaptation of James Joyce’s classic short story.
Sentimental Value Tops the EFAs
Joachim Trier’s sixth feature wins six European Film Awards, and Sirât takes home five.
Captain Blood: A Pirate Is Born
A smash hit at the box office, this electrifying adventure film established the team of director Michael Curtiz and actors Errol Flynn and Olivia de Havilland as one of the most iconic creative partnerships in Hollywood.
Beyond Horizons
Michael Almereyda and Radu Jude’s discussion of Eisenstein, Welles, and Godard is just one of this week’s highlights.
A Season’s Updates
SXSW and Slamdance unveil full lineups, and the Berlinale fills out its Forum, Panorama, Generation, and Classics programs.
Modern Italians
There’s a Visconti retrospective on in Vienna, a restored Comencini in New York, and films by Antonioni, Olmi, and Bertolucci will screen at Harvard.
Berlinale: Be Human Only
The festival lines up its Forum Special and celebrates forty years of the Teddy Award.
Globes, Lists, and Polls
Let’s catch up with some of the most notable best-of-2025 listing and polling.
“We’re Trying!”
This week: Conversations with Lav Diaz, Mira Nair, and Jean-Pierre and Luc Dardenne.
Béla Tarr: Lamentation and Laughter
The director of some of the bleakest films ever made once claimed all they were all comedies—except one.
The Most-Anticipated Films of 2026
We can look forward to new films by Ryusuke Hamaguchi, David Fincher, Greta Gerwig, Lee Chang-dong, Ulrike Ottinger, and many, many more.
Two Sides of Brigitte Bardot
One of France’s biggest stars took the world by storm before her reputation took a turn.
A Year’s Worth of Essential Reading
As we come to the end of 2025, we’re looking back at some of the essays and interviews we’ve shared with you over the past year.
Room Tone 2025
Celebrate the holiday season with this special treat from our production team.