On Film
Varda: Two Exhibitions and a Retrospective
Varda: Two Exhibitions and a Retrospective
Agnès Varda’s work as an artist, photographer, and filmmaker is celebrated in Paris, Amsterdam, and Rodez.
New Directors/New Films 2025, Week Two
New Directors/New Films 2025, Week Two
Children are the focus of several of the films in this year’s showcase of emerging filmmakers.
Our Huckleberry, Val Kilmer
Our Huckleberry, Val Kilmer
He played Iceman, Jim Morrison, Doc Holliday, and even Batman as no one else would or could have.
States of Flux
States of Flux
Henry Fonda and Shinji Somai headline a week that also brings new issues of frieze and the Brooklyn Rail.
New Directors/New Films 2025, Week One
New Directors/New Films 2025, Week One
The first five days of New Directors/New Films, the showcase of new talent copresented by FLC and MoMA, are packed.
Masahiro Shinoda: Modernizing Tradition
Masahiro Shinoda: Modernizing Tradition
Steeped in theater history, Shinoda infused centuries-old tales with twentieth-century dynamism.
Mann’s Men and More
Mann’s Men and More
The week brings new issues of Film Quarterly and Cineaste and conversations with Michael Mann and Miguel Gomes.
Mirror of Life: Manoel de Oliveira 1996–2004
Mirror of Life: Manoel de Oliveira 1996–2004
Ten newly restored features screen for a week in New York starting Friday.
American Neonoir in Melbourne
American Neonoir in Melbourne
The Cinémathèque presents six shady tales from the 1970s.
Night Moves: Losing Ground
Night Moves: Losing Ground
Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.
Choose Me: What We Talk About When We Talk About Love
Choose Me: What We Talk About When We Talk About Love
Unfettered by the precepts of bourgeois morality and the nuclear family, the characters in Alan Rudolph’s romantic drama struggle to find happiness as they navigate love’s whims and ambiguities.
Postcards from the South
Postcards from the South
A series coprogrammed by Bonjour Tristesse director Durga Chew-Bose “celebrates the beauty and myth of the Riviera.”
Pixel Visions: Dogme 95 and the Emergence of Digital Cinema
Pixel Visions: Dogme 95 and the Emergence of Digital Cinema
At the turn of the millennium, a loose collective of filmmakers—including Lars von Trier and Thomas Vinterberg—made a splash with a provocative manifesto and a wave of audacious movies shot on digital video.
Sound and Vision
Sound and Vision
Along with conversations with David Cronenberg, Alain Guiraudie, and Lemohang Jeremiah Mosese, the week offers a dossier on “the cinema of the senses.”
Boston Underground 2025
Boston Underground 2025
The festival’s twenty-fifth edition offers a five-day binge of midnight movies.
Godzilla vs. Biollante: The Real Monsters
Godzilla vs. Biollante: The Real Monsters
This stellar entry in one of cinema’s greatest monster franchises combines science fiction’s age-old exploration of human arrogance with the full force of cinematic imagination.
A Woman of Paris: “Whatever Became of Marie St. Clair?”
A Woman of Paris: “Whatever Became of Marie St. Clair?”
In what he described as his “first serious drama,” Charlie Chaplin channeled the influence of modernist literature, foreign cinema, and his European travels into a work of striking formal sophistication.
March Books
March Books
Headlining this month’s roundup are Joan Didion, Merle Oberon, and Charlie Chaplin.
Various Transgressions
Various Transgressions
Spend the weekend with Buñuel, Pasolini, Sarah Maldoror, Todd Solondz, and Pedro Almodóvar.
2025 SXSW Awards
2025 SXSW Awards
Top prizes in the narrative and documentary feature competitions go to Amy Wang and Benjamin Flaherty.
How to Steal a Scene
How to Steal a Scene
While a film’s stars are forced to bear the responsibility of moving a narrative forward, supporting actors get to have fun providing comic relief or suggesting whole lives being lived beyond the screen.
Heiny Srour’s Feminist Rebels
Heiny Srour’s Feminist Rebels
New restorations of The Hour of Liberation Has Arrived (1974) and Leila and the Wolves (1984) arrive in the U.S.
First Look 2025
First Look 2025
The Museum of the Moving Image’s annual showcase of “adventurous new cinema” is on from Wednesday through Sunday.
“How Does Someone Do That?”
“How Does Someone Do That?”
We’re spotlighting fine writing on Ben Rivers, Errol Morris, David Lynch, Želimir Žilnik, and Laura Carreira.