Current

An online magazine covering film culture past and present

A Year’s Worth of Essential Reading
A Year’s Worth of Essential Reading

As we come to the end of 2025, we’re looking back at some of the essays and interviews we’ve shared with you over the past year.

Room Tone 2025
Room Tone 2025

Celebrate the holiday season with this special treat from our production team.

By Daniel Reis

First and Foremost: Rógan Graham on Black Debutantes
First and Foremost: Rógan Graham on Black Debutantes

The critic and curator talks about working on a program of films by trailblazing Black women directors, which opened at London’s BFI Southbank this year and is now playing on the Criterion Channel.

By Ashley Clark

The Criterion Channel’s January 2026 Lineup

Channel Calendars

The Criterion Channel’s January 2026 Lineup

This January, savor multiple levels of nostalgia with a survey of ’90s cinema’s riffs on the ’70s, or turn a new page with a collection of films about dreamers seeking fresh starts in life.

Tommy Dorfman’s Top 10
Tommy Dorfman’s Top 10

The writer, director, producer, and actress chooses a selection of films that inspire her, with a special emphasis on queer classics and great cinematic depictions of adolescence.

David Byrne’s American Utopia: A Way We Could Work This
David Byrne’s American Utopia: A Way We Could Work This

Amid the disorientation of the COVID-19 era, this rousing film cut through with a life-affirming reminder that community and connection are still possible.

By Jia Tolentino

David Byrne’s American Utopia: Here
David Byrne’s American Utopia: Here

Spike Lee captures the democratic spirit and the galvanizing, near-spiritual feeling of togetherness at the heart of David Byrne’s acclaimed stage production.

By K. Austin Collins

Pee-wee’s Big Adventure: Why Don’t You Take a Picture?
Pee-wee’s Big Adventure: Why Don’t You Take a Picture?

Paul Reubens’s iconic character comes to cinematic life in this collaboration with director Tim Burton, who creates an on-screen world that evokes the unbridled joy and overwhelming terror of childhood.

By Jesse Thorn

I Know Where I’m Going!: In the Wind
I Know Where I’m Going!: In the Wind

In one of cinema’s greatest love stories, Michael Powell and Emeric Pressburger use the mercurial beauty of Scotland’s Inner Hebrides to evoke the unruly passions of an indelible heroine.

By Imogen Sara Smith

Salaam Bombay!: A View from the Streets
Salaam Bombay!: A View from the Streets

In her Cannes-award-winning narrative feature debut, Mira Nair sees the lives of Indian street children with an unconditionally generous gaze, taking in their world in all its contradictions and complexity.

By Devika Girish

Return to Reason: Four Films by Man Ray: Optical Dazzle
Return to Reason: Four Films by Man Ray: Optical Dazzle

In a string of short films he made in the 1920s, Man Ray brought a restlessly inventive spirit to a young medium, pushing the boundaries of cinematic form with frenetic editing, abstract imagery, and surrealist camera tricks.

By Mark Polizzotti

Eyes Wide Shut: A Sword in the Bed
Eyes Wide Shut: A Sword in the Bed

Inspired by Arthur Schnitzler’s 1926 novella Traumnovelle, Stanley Kubrick’s final film is a deeply personal examination of the fragility of marriage and the destructive power of sexual fantasy.

By Megan Abbott

Video

Room Tone 2025
On Film  – 25 Dec 2025