James Gray’s extraordinary debut feature is a painstakingly distilled tale of crime and family dysfunction, captured with a merciless gaze and a sharp attention to idiosyncratic detail.
In her second film, Oscar-winning documentarian Barbara Kopple captures the anguish and perils of disunity in the labor movement and the corrosion of union power during the Reagan era.
The pioneering husband-and-wife duo transformed the field of Japanese nonfiction cinema with their portraits of spectacular, edgy personalities and collectives under duress.
Set in 1930s French West Africa, Bertrand Tavernier’s hard-to-classify adaptation of the Jim Thompson novel Pop. 1280 offers an apocalyptic vision of a society in which institutions have abdicated their moral authority.