A crime-cinema masterpiece whose influence can be seen in such later touchstones as Mean Streets and Reservoir Dogs, this highly stylized portrait of a gangster subordinates the needs of plot to director John Boorman’s saturated aesthetic.
One of Ernst Lubitsch’s favorites among his own films, this delightful pre-Code whodunit exemplifies the director’s signature European worldliness and his ingenious way of drawing viewers in as if they were coconspirators.
The legendary comedy troupe’s most fully realized film is a hilarious Biblical parody with a streak of overwhelming horror and outrage running through it.
Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.