In a string of short films he made in the 1920s, Man Ray brought a restlessly inventive spirit to a young medium, pushing the boundaries of cinematic form with frenetic editing, abstract imagery, and surrealist camera tricks.
Inspired by Arthur Schnitzler’s 1926 novella Traumnovelle, Stanley Kubrick’s final film is a deeply personal examination of the fragility of marriage and the destructive power of sexual fantasy.
Though the first two decades of the Iranian filmmaker’s career have long been underappreciated, this fertile period yielded philosophical and restlessly innovative works that reinvigorated both documentary and narrative-fiction cinema.
A pre-Code aviation epic that makes pioneering use of the era’s innovations in cinematic color and sound, Howard Hughes’s directorial debut was Hollywood’s first modern portrait of World War I.