Michael Powell and Emeric Pressburger

I Know Where I’m Going!

I Know Where I’m Going!

Love flourishes in the Scottish Hebrides in this windswept enchantment from British cinema’s most passionate visionaries, Michael Powell and Emeric Pressburger. “I know where I’m going!” declares headstrong, upwardly mobile Joan Webster (Wendy Hiller) en route to her marriage to a wealthy industrialist—until her carefully laid plans are blown away by a raging storm that leaves her stranded on an island off the Scottish coast with a dashing naval officer (Roger Livesey). Shot in ethereal black and white that enhances the almost mystical air of its setting—a folkloric world where legends and curses still hold sway—this beloved romance is one of cinema’s most stirring expressions of the eternal conflict between the head and the heart.

Film Info

  • United Kingdom
  • 1945
  • 92 minutes
  • Black & White
  • 1.37:1
  • English
  • Spine #94

4K UHD + BLU-RAY SPECIAL EDITION FEATURES

  • New 4K digital restoration by the BFI National Archive and The Film Foundation, supervised by filmmaker Martin Scorsese and editor Thelma Schoonmaker Powell, with uncompressed monaural soundtrack
  • One 4K UHD disc of the film and one Blu-ray with the film and special features
  • Audio commentary featuring film historian Ian Christie
  • Introduction by Scorsese with restoration demonstration featuring commentary by Schoonmaker Powell
  • Behind-the-scenes stills narrated by Schoonmaker Powell
  • “I Know Where I’m Going!” Revisited, a 1994 documentary by Mark Cousins
  • Photo-essay by writer Nancy Franklin exploring the locations used in the film
  • Home movies from one of director Michael Powell’s Scottish expeditions, narrated by Schoonmaker Powell
  • English subtitles for the deaf and hard of hearing
  • PLUS: An essay by critic Imogen Sara Smith

    New cover by Thinh Dinh

Purchase Options

4K UHD + BLU-RAY SPECIAL EDITION FEATURES

  • New 4K digital restoration by the BFI National Archive and The Film Foundation, supervised by filmmaker Martin Scorsese and editor Thelma Schoonmaker Powell, with uncompressed monaural soundtrack
  • One 4K UHD disc of the film and one Blu-ray with the film and special features
  • Audio commentary featuring film historian Ian Christie
  • Introduction by Scorsese with restoration demonstration featuring commentary by Schoonmaker Powell
  • Behind-the-scenes stills narrated by Schoonmaker Powell
  • “I Know Where I’m Going!” Revisited, a 1994 documentary by Mark Cousins
  • Photo-essay by writer Nancy Franklin exploring the locations used in the film
  • Home movies from one of director Michael Powell’s Scottish expeditions, narrated by Schoonmaker Powell
  • English subtitles for the deaf and hard of hearing
  • PLUS: An essay by critic Imogen Sara Smith

    New cover by Thinh Dinh
I Know Where I’m Going!
Cast
Wendy Hiller
Joan Webster
Roger Livesey
Torquil MacNeil
Pamela Brown
Catriona
Finlay Currie
Ruairidh Mhór
George Carney
Mr. Webster
Nancy Price
Mrs. Crozier
Catherine Lacey
Mrs. Robinson
Jean Cadell
Postmistress
John Laurie
John Campbell
Valentine Dyall
Mr. Robinson
Norman Shelley
Sir Robert Bellinger
Margot Fitzsimons
Bridie
Murdo Morrison
Kenny
Captain C. W. R. Knight, FZS
Colonel Barnstaple
Petula Clark
Cheril
Credits
Director
Michael Powell
Director
Emeric Pressburger
Written and produced by
Michael Powell
Written and produced by
Emeric Pressburger
Photographed by
Erwin Hillier
Edited by
John Seabourne
Music composed by
Allan Gray
Production designed by
Alfred Junge

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Michael Powell and Emeric Pressburger

Writer, Producer, Director

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Michael Powell and Emeric Pressburger

Though The Red Shoes is possibly the most popular and visually entrancing dance film of all time, the producing, directing, and writing team of the British Michael Powell and the Hungarian Emeric Pressburger created numerous other odes to the power of art and the imagination, always going against the realist strain of British cinema. Known by the name of their production company, the Archers, Powell and Pressburger forged a working alliance that lasted from the late thirties to the early seventies, and from the anti-Nazi propaganda of 49th Parallel and the astoundingly designed and edited epic The Life and Death of Colonel Blimp to the erotic, magical excesses of A Canterbury Tale, I Know Where I’m Going!, Black Narcissus, and The Tales of Hoffmann. The duo were never as successful on their own as with each other, though Powell’s controversial Peeping Tom remains one of the most subversive and disturbing films ever made.