Ingmar Bergman’s Cinema
Fanny and Alexander: The Other Side
This sensuous, sprawling epic, which Ingmar Bergman intended to be his swan song, offers an effortless summing up of the themes—among them family, identity, and mortality—he'd spent a career exploring.
The Magic Flute and After the Rehearsal: Stages of Life
In two made-for-television productions, a middle-aged Ingmar Bergman blurred the boundaries between screen and stage.
The Touch and The Serpent’s Egg: Foreign Tongues
Critically maligned upon their release, Ingmar Bergman’s only two English-language films show the master’s artistry at its most restrained and its most convoluted.
Hour of the Wolf and From the Life of the Marionettes: The Strength of Surrender
Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.
Crisis and A Ship to India: Bergman in the Making
Two early works by Ingmar Bergman show the Swedish master grappling with the conventions of melodrama, which would go on to influence his later explorations of spiritual torment.
Scenes from a Marriage: Natural Antagonists
With uncharacteristic warmth and affection for human frailty, Ingmar Bergman raises the question of how love can possibly last forever.