Author Spotlight

Penelope Bartlett

Penelope Bartlett is director of programming for the Criterion Channel.

24 Results
Dog Days: A Conversation with Halima Ouardiri

The director of Mutts, a short film now playing on the Criterion Channel, talks about chronicling life within a giant dog shelter in Morocco.

By Penelope Bartlett

Shabier Kirchner’s Love Letter to a Vanishing Antigua

The cinematographer behind Steve McQueen’s acclaimed Small Axe films discusses his debut short, Dadli, which makes its premiere this week on the Criterion Channel.

By Penelope Bartlett

Matthew Puccini on Making the Queer Film He Wishes He’d Grown Up With

A highlight at this year’s SXSW, the short film Dirty depicts a moment of sexual intimacy between two young men with a candor that’s still rare in American independent cinema.

By Penelope Bartlett

In His Hands: The Audacious Formal Device in Kazik Radwanski’s Cutaway

The Canadian filmmaker explains what led him to center his intensely personal short film, now playing on the Criterion Channel, entirely on images of the protagonist’s hands.

By Penelope Bartlett

Alone in There: Marnie Ellen Hertzler on Dirt Daughter

The Baltimore-based filmmaker talks with us about her bold exploration of technology, sexuality, and loneliness, now playing on the Criterion Channel.

By Penelope Bartlett

Love at Harvest Time: A Conversation with Sandhya Suri

Acclaimed for her work in documentary, the London-based director talks about her gorgeously photographed first foray into narrative filmmaking, The Field, now playing on the Criterion Channel.

By Penelope Bartlett

Stop-Motion with a Human Touch: A Conversation with Anna Mantzaris

The filmmaker behind the short Good Intentions, now featured on the Criterion Channel, talks with us about the long and laborious process of bringing human complexity to her animated puppets.

By Penelope Bartlett

Within Earshot: A Conversation with Sorayos Prapapan

Informed by his background in sound design, the Thai director uses audio to explore the absurdities of an oppressive society in his short film Death of the Sound Man, now playing on the Criterion Channel.

By Penelope Bartlett

Consuming the Cat: Brenda Lien Calls Out an Internet Fetish

In a short film now featured on the Criterion Channel, the German filmmaker interrogates our insatiable appetite for feline memes and what it says about our consumerist culture.

By Penelope Bartlett

In the Shadow of the Dictator: A Conversation with George Sikharulidze

In his short film Fatherland, the Georgian director pays a visit to Stalin’s birthplace to explore the townspeople’s nostalgia for their long-departed leader.

By Penelope Bartlett

From Innocence to Experience: A Conversation with Charles Williams

The director of the Palme d’Or–winning short film All These Creatures, which is now available to stream on the Criterion Channel, discusses the challenges of depicting mental illness through the eyes of a child.

By Penelope Bartlett

How Jérémy Comte’s Oscar-Nominated Fauve Conjures the Nightmare of Boyhood

The director of this award-winning short film speaks with us about tapping into his childhood fears and fine-tuning the story’s white-knuckle atmosphere.

By Penelope Bartlett

10 Things I Learned: Columbia Noir

We’re kicking off our April lineup on the Criterion Channel with eleven dark gems from one of Hollywood’s most iconic studios.

By Penelope Bartlett

Seeing Double with Australian Filmmaker Lucy Knox

The complicated bond between a pair of identical twins takes center stage in the stylish short film An Act of Love, now playing on the Criterion Channel on FilmStruck.

By Penelope Bartlett

Inside Katarzyna Gondek’s Grown-Up Fairy Tales

Stretched between beauty and horror, Polish director Katarzyna Gondek’s work uncovers magic lurking at the edges of everyday life.

By Penelope Bartlett

Getting Tongue-in-Cheek About Silent Film History with Juho Kuosmanen

A mythic piece of early Finnish cinema gets reimagined in the short film The Moonshiners, now streaming on the Criterion Channel on FilmStruck.

By Penelope Bartlett

Free the Vagina: A Conversation with Renata Gasiorowska

The sweetness and aggression of female erotic pleasure take center stage in Pussy, an imaginatively stylized animated short now playing on FilmStruck.

By Penelope Bartlett

Resident Horror: A Conversation with Caroline Monnet and Daniel Watchorn

Drawing on a wide range of influences—from Dreyer to American Horror Story—two Canadian filmmakers use genre conventions to reimagine a tale of real-life injustice.

By Penelope Bartlett

Excavating Queer Histories with Sam Ashby

Graphic artist and filmmaker Sam Ashby, whose short The Colour of His Hair is featured on the Criterion Channel this week, speaks with us about a turbulent moment in UK queer history.

By Penelope Bartlett

Francisca Alegría Explains Her “Conscious Camera”

With her award-winning short film playing on the Criterion Channel, Chilean newcomer Francisca Alegría chats with our programmer about the art and experiences that inspire her work.

By Penelope Bartlett

Heat of the Moment: A Conversation with Konstantina Kotzamani
Over the past decade, contemporary Greek cinema has erupted onto the international film stage with a new vanguard of directors whose bold works share a taste for provocation and highly stylized worlds. This week on the Criterion Channel on FilmStruck…

By Penelope Bartlett

Anahita Ghazvinizadeh Pays Homage to Bresson
Anahita Ghazvinizadeh’s short film Needle, which won the 2013 Cinefondation prize at Cannes, premieres today on the Criterion Channel as part of our weekly Short + Feature. I first met Anahita through programming the short at the Chicago Internatio…

By Penelope Bartlett

Odes to Creativity

This week’s Short + Feature program on the Criterion Channel pairs D.A. Pennebaker’s three-minute experimental Daybreak Express and Ronald Neame’s feature comedy The Horse’s Mouth.

By Penelope Bartlett

The Zellner Brothers Take on Louis Malle

The Austin-based filmmaking duo chat with us about the influence of Louis Malle and their new short film, which takes inspiration from the director’s Black Moon.

By Penelope Bartlett