Author Spotlight

Jonathan Romney

Jonathan Romney is a critic based in London. He writes for Sight and Sound, Screen Daily, the Observer, the Financial Times, and Film Comment, and is a visiting lecturer at the National Film and Television School. His books include Atom Egoyan (British Film Institute) and a collection of criticism, Short Orders: Film Writing (Serpent’s Tail).

6 Results
The Beat That My Heart Skipped: Out of Sync

Jacques Audiard’s Paris-set drama about small-time hoodlum with musical ambitions crystallized his identity as an artist with a high degree of confidence and control.

By Jonathan Romney

Moonage Daydream: “Who Is He? What Is He?”

Brett Morgen’s portrait of David Bowie is a free-associative hybrid of pop history and imaginative extravaganza—impressionistic, eclectically allusive, and, above all, immersive.

By Jonathan Romney

Insomnia: Unbearable Lightness

Erik Skjoldbjærg’s sun-drenched noir follows a detective trying to conceal his amoral actions amid unforgiving daylight.

By Jonathan Romney

The Double Life of Véronique:
Through the Looking Glass

When Krzysztof KieĹ›lowski’s The Double Life of VĂ©ronique was first screened at Cannes, in 1991, the critical reception was rapturous. Georgia Brown declared in the Village Voice, “Anything I say about [the film] is merely a labored minuet dance…

By Jonathan Romney

Trafic: Watching the Wheels

Linguistic cosmopolitanism in the Babel-like world of commerce and culture is one of Jacques Tati’s several satirical targets.

By Jonathan Romney

La Jetée: Unchained Melody
Taking the form of apocalyptic science fiction typical of the Cold War era, Chris Marker’s singular film is simultaneously a philosophical fiction, genre exercise, and treatise on cinematic time.

By Jonathan Romney