Author Spotlight

Paul Arthur

Paul Arthur is the author of A Line of Sight: American Avant-Garde Film Since 1965 (University of Minnesota Press). He is a regular contributor to Cineaste and Film Comment and is coeditor of Millennium Film Journal.

5 Results
Night and the City: In the Labyrinth
On film noir’s unparalleled roster of resonant titles—Kiss of Death, Out of the Past, and Where Danger Lives, to name three—none is more emblematic or iconographically cogent than Night and the City. Juxtaposing two of noir’s essential, virtu…

By Paul Arthur

Just a Director: The Making of “Fanny and Alexander”
Aflurry of publicity around Fanny and Alexander began well before the start of production. Ingmar Bergman said it would be his final film, and he allowed unusual media access to the set, even welcoming a pair of journalists who kept a diary of the se…

By Paul Arthur

Harlan County USA: No Neutrals There
The current popularity and cultural importance of documentaries would have been inconceivable in 1976, when Harlan County USA briefly ignited commercial movie screens. It was the dawn of the blockbuster age: the buzz around Jaws had barely receded, a…

By Paul Arthur

Burden of Dreams: In Dreams Begin Responsibilities

Les Blank’s documentary examines the interaction of premodern tribal existence with European modernity, epitomized by a movie narrative about the invidious clash of brute nature and a singular ego bent on his own mission of cultural enlightenment.

By Paul Arthur

Before the Beginning Was the Word: Stan Brakhage

In Stan Brakhage’s films we enter into momentary perceptual transactions in which we trade unhindered assimilation of images for intensified contact with pictorial or sensory features that might otherwise go unnoticed.

By Paul Arthur