Author Spotlight

Carrie Rickey

Carrie Rickey, movie critic emerita of the Philadelphia Inquirer, writes for various outlets, including the Forward, the New York Times, and Truthdig. Her biography of Agnès Varda is forthcoming from Norton in 2024.

8 Results
My Brilliant Career: Unapologetic Women

A celebrated work of Australian cinema, this deeply felt coming-of-age tale is fueled by the independent spirit of three remarkable female artists: novelist Miles Franklin, director Gillian Armstrong, and actor Judy Davis.

By Carrie Rickey

The Kid Brother: Mettle Is Stronger than Muscle

There was more to Harold Lloyd than laughter. In one of his best movies, the silent-film legend deftly balanced elements of action and romance with his signature slapstick set pieces.

By Carrie Rickey

Sisters: Psycho-Thriller, Qu’est-ce Que C’est?

Brian De Palma found his home in the psychological thriller with this chilling tale of murder, which twists genre conventions to investigate the perils of looking and the pitfalls of subjectivity.

By Carrie Rickey

The Brood: Separation Trials

Divorce wreaks a particularly devastating form of havoc in David Cronenberg's personal take on the dissolution of a marriage.

By Carrie Rickey

Broadcast News: Lines and Deadlines
A character-driven tale of driven characters whose professional triangle trumps their romantic one, Broadcast News (1987) takes place after the fall of the Equal Rights Amendment and before the fall of the Berlin Wall—a time when gender wars and c…

By Carrie Rickey

Videodrome: Make Mine Cronenberg

This exploration of how technology alters its users was not only prophetic but a personal artistic breakthrough for David Cronenberg.

By Carrie Rickey

RoboCop

Tooled from spare hardware—the trunk and limbs of a forklift, the rubberized joints of a vacuum cleaner, and the brain of a police officer—Paul Verhoeven’s RoboCop character is a Terminator with the conscience of a constable, a Frankenstein gon

By Carrie Rickey

Polyester
Remember those inane but innovative gimmicks that duped a movie audience into having the time of its life even when the movie stunk? There was Percepto in William Castle’s The Tingler (1959), a device consisting of a buzzer rigged into selected the…

By Carrie Rickey