Oscar Winners
The Criterion Collection is bursting with films that have earned Hollywood’s prestigious little golden guy.
| Spine # | Title | Director | Country | Year | |
|---|---|---|---|---|---|
| 1243 |
|
No Country for Old Men | Joel Coen and Ethan Coen | United States, | 2007 |
| 140 |
|
8½ | Federico Fellini | Italy, | 1963 |
| 1241 |
|
Paper Moon | Peter Bogdanovich | United States, | 1973 |
| 1242 |
|
The Shape of Water | Guillermo del Toro | United States, | 2017 |
| 1240 |
|
Funny Girl | William Wyler | United States, | 1968 |
| 1180 |
|
Thelma & Louise | Ridley Scott | United States, | 1991 |
| 422 |
|
The Last Emperor | Bernardo Bertolucci | China, | 1987 |
| 1218 |
|
Anatomy of a Fall | Justine Triet | France, | 2023 |
| 214 |
|
All That Money Can Buy (a.k.a. The Devil and Daniel Webster) | William Dieterle | United States, | 1941 |
| 1201 |
|
Guillermo del Toro’s Pinocchio | Guillermo del Toro and Mark Gustafson | Mexico, | 2022 |
|
The Red Balloon | Albert Lamorisse | France, | 1956 | |
| 409 |
|
Days of Heaven | Terrence Malick | United States, | 1978 |
| 549 |
|
The Last Picture Show | Peter Bogdanovich | United States, | 1971 |
| 764 |
|
The Fisher King | Terry Gilliam | United States, | 1991 |
| 860 |
|
Mildred Pierce | Michael Curtiz | United States, | 1945 |
| 1171 |
|
Romeo and Juliet | Franco Zeffirelli | Italy, | 1968 |
| 1161 |
|
WALL·E | Andrew Stanton | United States, | 2008 |
| 1158 |
|
The Power of the Dog | Jane Campion | United States, | 2021 |
| 1151 |
|
Sound of Metal | Darius Marder | United States, | 2019 |
| 1136 |
|
Drive My Car | Ryusuke Hamaguchi | Japan, | 2021 |
| 1134 |
|
Raging Bull | Martin Scorsese | United States, | 1980 |
| 1130 |
|
Shaft | Gordon Parks | United States, | 1971 |
| 1122 |
|
’Round Midnight | Bertrand Tavernier | United States, | 1986 |
| 96 |
|
Written on the Wind | Douglas Sirk | United States, | 1956 |
| 1110 |
|
The Piano | Jane Campion | New Zealand, | 1993 |
| 1056 |
|
Moonstruck | Norman Jewison | United States, | 1987 |
| 1054 |
|
Parasite | Bong Joon Ho | South Korea, | 2019 |
| 1025 |
|
The Grand Budapest Hotel | Wes Anderson | United States, | 2014 |
| 1014 |
|
Roma | Alfonso Cuarón | United States, | 2018 |
| 1012 |
|
All About My Mother | Pedro Almodóvar | Spain, | 1999 |
| 1004 |
|
Now, Voyager | Irving Rapper | United States, | 1942 |
| 1003 |
|
All About Eve | Joseph L. Mankiewicz | United States, | 1950 |
| 998 |
|
When We Were Kings | Leon Gast | United States, | 1996 |
| 987 |
|
Klute | Alan J. Pakula | United States, | 1971 |
| 983 |
|
War and Peace | Sergei Bondarchuk | Soviet Union, | 1966 |
| 979 |
|
Swing Time | George Stevens | United States, | 1936 |
| 974 |
|
The Heiress | William Wyler | United States, | 1949 |
| 959 |
|
In the Heat of the Night | Norman Jewison | United States, | 1967 |
| 736 |
|
It Happened One Night | Frank Capra | United States, | 1934 |
| 135 |
|
Rebecca | Alfred Hitchcock | United States, | 1940 |
| 82 |
|
Hamlet | Laurence Olivier | United Kingdom, | 1948 |
| 647 |
|
On the Waterfront | Elia Kazan | United States, | 1954 |
| 910 |
|
Tom Jones | Tony Richardson | United Kingdom, | 1963 |
| 925 |
|
Midnight Cowboy | John Schlesinger | United States, | 1969 |
| 13 |
|
The Silence of the Lambs | Jonathan Demme | United States, | 1991 |
| 800 |
|
The Graduate | Mike Nichols | United States, | 1967 |
| 151 |
|
Traffic | Steven Soderbergh | United States, | 2000 |
| 916 |
|
Women in Love | Ken Russell | United Kingdom, | 1969 |
|
The Private Life of Henry VIII | Alexander Korda | United Kingdom, | 1933 | |
| 901 |
|
The Philadelphia Story | George Cukor | United States, | 1940 |
| 630 |
|
Rosemary’s Baby | Roman Polanski | United States, | 1968 |
| 738 |
|
Tootsie | Sydney Pollack | United States, | 1982 |
| 839 |
|
Boyhood | Richard Linklater | United States, | 2014 |
| 947 |
|
Shampoo | Hal Ashby | United States, | 1975 |
| 516 |
|
Stagecoach | John Ford | United States, | 1939 |
| 105 |
|
Spartacus | Stanley Kubrick | United States, | 1960 |
| 864 |
|
Being There | Hal Ashby | United States, | 1979 |
| 819 |
|
Here Comes Mr. Jordan | Alexander Hall | United States, | 1941 |
| 376 |
|
49th Parallel | Michael Powell | United Kingdom, | 1941 |
| 286 |
|
Divorce Italian Style | Pietro Germi | Italy, | 1961 |
| 1104 |
|
Citizen Kane | Orson Welles | United States, | 1941 |
| 449 |
|
Missing | Costa-Gavras | United States, | 1982 |
| 775 |
|
A Room with a View | James Ivory | United Kingdom, | 1986 |
| 156 |
|
Hearts and Minds | Peter Davis | United States, | 1974 |
| 334 |
|
Harlan County USA | Barbara Kopple | United States, | 1976 |
|
Paul Robeson: Tribute to an Artist | Saul J. Turell | United States, | 1979 | |
| 557 |
|
The Times of Harvey Milk | Robert Epstein | United States, | 1984 |
| 928 |
|
Bowling for Columbine | Michael Moore | United States, | 2002 |
| 374 |
|
Bicycle Thieves | Vittorio De Sica | Italy, | 1948 |
| 138 |
|
Rashomon | Akira Kurosawa | Japan, | 1950 |
| 653 |
|
Gate of Hell | Teinosuke Kinugasa | Japan, | 1953 |
| 14 |
|
Samurai I: Musashi Miyamoto | Hiroshi Inagaki | Japan, | 1954 |
| 219 |
|
La strada | Federico Fellini | Italy, | 1954 |
| 111 |
|
Mon oncle | Jacques Tati | France, | 1958 |
| 48 |
|
Black Orpheus | Marcel Camus | France, | 1959 |
| 321 |
|
The Virgin Spring | Ingmar Bergman | Sweden, | 1960 |
| 209 |
|
Through a Glass Darkly | Ingmar Bergman | Sweden, | 1961 |
| 728 |
|
Sundays and Cybèle | Serge Bourguignon | France, | 1962 |
| 130 |
|
The Shop on Main Street | Ján Kadár and Elmar Klos | Czechoslovakia, | 1965 |
| 131 |
|
Closely Watched Trains | Jiří Menzel | Czechoslovakia, | 1966 |
| 491 |
|
Z | Costa-Gavras | Greece, | 1969 |
| 682 |
|
Investigation of a Citizen Above Suspicion | Elio Petri | Italy, | 1970 |
| 769 |
|
Day for Night | François Truffaut | France, | 1973 |
| 4 |
|
Amarcord | Federico Fellini | Italy, | 1973 |
| 234 |
|
The Tin Drum | Volker Schlöndorff | Germany, | 1979 |
| 263 |
|
Fanny and Alexander: Theatrical Version | Ingmar Bergman | Sweden, | 1982 |
| 867 |
|
Woman of the Year | George Stevens | United States, | 1942 |
| 665 |
|
Babette’s Feast | Gabriel Axel | Denmark, | 1987 |
| 702 |
|
The Great Beauty | Paolo Sorrentino | Italy, | 2013 |
| 431 |
|
The Thief of Bagdad | Ludwig Berger, Michael Powell, and Tim Whelan | United Kingdom, | 1940 |
| 31 |
|
Great Expectations | David Lean | United Kingdom, | 1946 |
| 93 |
|
Black Narcissus | Michael Powell and Emeric Pressburger | United Kingdom, | 1947 |
| 101 |
|
Cries and Whispers | Ingmar Bergman | Sweden, | 1972 |
| 380 |
|
The Naked City | Jules Dassin | United States, | 1948 |
| 897 |
|
Barry Lyndon | Stanley Kubrick | United States, | 1975 |
| 697 |
|
Tess | Roman Polanski | United Kingdom, | 1979 |
| 933 |
|
Shanghai Express | Josef von Sternberg | United States, | 1932 |
| 915 |
|
King of Jazz | John Murray Anderson | United States, | 1930 |
| 44 |
|
The Red Shoes | Michael Powell and Emeric Pressburger | United Kingdom, | 1948 |
| 724 |
|
All That Jazz | Bob Fosse | United States, | 1979 |
| 476 |
|
The Curious Case of Benjamin Button | David Fincher | United States, | 2008 |
| 733 |
|
La dolce vita | Federico Fellini | Italy, | 1960 |
| 913 |
|
The Age of Innocence | Martin Scorsese | United States, | 1993 |
| 558 |
|
Topsy-Turvy | Mike Leigh | United Kingdom, | 1999 |
| 950 |
|
Some Like It Hot | Billy Wilder | United States, | 1959 |
| 606 |
|
Blithe Spirit | David Lean | United Kingdom, | 1945 |
| 692 |
|
It’s a Mad, Mad, Mad, Mad World | Stanley Kramer | United States, | 1963 |
| 487 |
|
That Hamilton Woman | Alexander Korda | United Kingdom, | 1941 |
| 683 |
|
Nashville | Robert Altman | United States, | 1975 |