Tatsuya Nakadai
The dynamic, Tokyo-born star was convincing whether playing a mercenary lone wolf or a heartsick love interest, a hero or a villain, in a sleek suit or samurai robes, and just as comfortable blending in to an ensemble as commanding a spotlight.
| Spine # | Title | Director | Country | Year | |
|---|---|---|---|---|---|
| 24 |
|
High and Low | Akira Kurosawa | Japan, | 1963 |
|
Yojimbo / Sanjuro: Two Samurai Films by Akira Kurosawa | ||||
| 2 |
|
Seven Samurai | Akira Kurosawa | Japan, | 1954 |
| 302 |
|
Harakiri | Masaki Kobayashi | Japan, | 1962 |
| 480 |
|
The Human Condition | Masaki Kobayashi | Japan, | 1959 |
| 280 |
|
The Sword of Doom | Kihachi Okamoto | Japan, | 1966 |
| 267 |
|
Kagemusha | Akira Kurosawa | Japan, | 1980 |
| 313 |
|
Kill! | Kihachi Okamoto | Japan, | 1968 |
| 90 |
|
Kwaidan | Masaki Kobayashi | Japan, | 1965 |
| 316 |
|
Ran | Akira Kurosawa | Japan, | 1985 |
| 377 |
|
When a Woman Ascends the Stairs | Mikio Naruse | Japan, | 1960 |
|
Black River | Masaki Kobayashi | Japan, | 1956 | |
|
The Thick-Walled Room | Masaki Kobayashi | Japan, | 1956 | |
| 395 |
|
The Face of Another | Hiroshi Teshigahara | Japan, | 1966 |
|
The Inheritance | Masaki Kobayashi | Japan, | 1962 |