Chantal Akerman
This Belgian visionary took a profoundly personal and aesthetically idiosyncratic approach to film form, using it to investigate geography and identity, space and time, sexuality and religion.
| Spine # | Title | Director | Country | Year | |
|---|---|---|---|---|---|
| 1203 |
|
Chantal Akerman Masterpieces, 1968–1978 | |||
|
Les rendez-vous d’Anna | Chantal Akerman | Belgium, | 1978 | |
|
News from Home | Chantal Akerman | France, | 1976 | |
| 484 |
|
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles | Chantal Akerman | France, | 1975 |
|
Je tu il elle | Chantal Akerman | Belgium, | 1975 | |
|
Le 15/8 | Chantal Akerman and Samy Szlingerbaum | Belgium, | 1973 | |
|
Hotel Monterey | Chantal Akerman | United States, | 1972 | |
|
La chambre | Chantal Akerman | United States, | 1972 | |
|
L’enfant aimé ou Je joue à être une femme mariée | Chantal Akerman | Belgium, | 1971 | |
|
Saute ma ville | Chantal Akerman | Belgium, | 1968 |