Kira Muratova

The Long Farewell

The Long Farewell

With its daring formalist freedom, Kira Muratova’s pointillist family portrait so perplexed and unnerved Soviet censors that it effectively halted her career for years afterward. A kind of psychological breakup movie, The Long Farewell traces the growing rift that develops between an emotionally impulsive single mother (stage legend Zinaida Sharko, transcendent in one of her first film roles) and her increasingly resentful teenage son (Oleg Vladimirsky), who upends her world when he announces that he wishes to live with his faraway father. The seemingly simple premise is rendered anything but by Muratova’s dreamy, drifting style, with off-kilter framing, editing, and dialogue continually pushing cinema’s aesthetic and expressive boundaries outward.

Film Info

  • Ukraine, Soviet Union
  • 1971
  • 94 minutes
  • Black & White
  • 1.37:1
  • Russian

Available In

Collector's Set

Brief Encounters / The Long Farewell: Two Films by Kira Muratova

Brief Encounters / The Long Farewell: Two Films by Kira Muratova

Blu-ray Box Set

2 Discs

$47.96

Collector's Set

Brief Encounters / The Long Farewell: Two Films by Kira Muratova

Brief Encounters / The Long Farewell: Two Films by Kira Muratova

DVD Box Set

2 Discs

$31.96

The Long Farewell
Cast
Zinaida Sharko
Yevgeniya Vasilyevna
Oleg Vladimirsky
Sasha Ustinov
Yuriy Kayurov
Nikolay Sergeyevich
Svetlana Kabanova
Tatyana Kartseva
Tatyana Mychko
Masha
Lidiya Bazilskaya
Tonechka
Lidiya Dranovskaya
Yelizaveta Andreyevna Vykhodtseva
Sofya Belskaya
Gostya
Oleg Emstev
Mim
Viktor Ilchenko
Pavel Konstantinovich
Credits
Director
Kira Muratova
Written by
Natalya Ryazantseva
Cinematography
Gennady Karyuk
Production design
Enrique Rodríguez
Costumes
Natalya Akimova
Sound
Igor Skinder
Editor
Valentina Oleynik
Music
Oleg Karavaychuk

Current

Two Films by Kira Muratova: Restless Moments
Two Films by Kira Muratova: Restless Moments

In films that elude categorization, the Ukrainian director developed a boldly experimental aesthetic that evokes her mercurial inner dialogue and the leaps and stutters of her imagination.

By Jessica Kiang