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The Criterion Collection
More: Visual Analysis
The Movie Miranda July Knows by Heart
When the Kajillionaire director saw sex, lies, and videotape as a teenager, she was transfixed by its exploration of desire mediated by technology, a theme that would later emerge in her own boundary-pushing work.
Nothing at Stake
In this video essay, the director of Columbus examines how Alfonso Cuarón’s Roma combines intimate observations of everyday life with the grand sweep of history.
Ira Sachs Finds a Model of Artistic Courage in Je tu il elle
The director of Frankie and Keep the Lights On opens up about how the emotional and sexual candor of Chantal Akerman’s feature debut has inspired his own deeply personal approach to cinema.
Harold Lloyd’s Ingenious Blend of Slapstick and Horror in The Kid Brother
In one of his most ambitious sequences, the silent-comedy legend throws his innocent “glasses” character into a death trap of a setting.