2 Results
Written on the Wind: No Good End
Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.
Love’s Labors: The Killing Floor Illuminates the Dream of an Interracial Workers’ Movement
Bill Duke’s feature debut is a rarity in American cinema: a labor film, funded by unions and public money, that balances political urgency with emotional tenderness.