Author Spotlight

Michael Wilmington

Michael Wilmington is a film critic for the Chicago Tribune.

7 Results
Ran: Apocalypse Song

Akira Kurosawa’s late masterpiece is a tragedy fed by Shakespeare, Noh, and the samurai epic; it shows human brutality, warfare, and suffering as if from the eye of a dispassionate God.

By Michael Wilmington

Short Cuts: City Symphony

Short Cuts is an L.A. jazz rhapsody that represents Robert Altman at an all-time personal peak—and it came at just the right time in his career.

By Michael Wilmington

Secret Honor

Nixon as Hamlet, Nixon as Lear, Nixon as Blanche DuBois, Nixon as Krapp—clutching every last tape to his breast with the wild fury and despair of a man on the precipice . . .

By Michael Wilmington

Tanner ’88: Robert Altman's Best, For Real

Robert Altman’s political satire, broadcast on HBO in mostly half-hour segments during the 1988 campaign season, is a sort of trompe l’oeil video chronicle of the constantly surprising presidential fight of an obscure Michigan Democratic congress

By Michael Wilmington

The Third Man
In The Third Man—probably the greatest British thriller of the postwar era—director Carol Reed and screenwriter Graham Greene set a fable of moral corruption in a world of near-Byzantine visual complexity: the streets and ruins of occupied Vienna…

By Michael Wilmington

The Lady Vanishes
In The Lady Vanishes, Alfred Hitchcock pushes the romantic comedy-thriller form to perfection. Endlessly imitated, the film remains unique, even in Hitchcock’s canon. In no other movie but North by Northwest was he able to blend these two genres so…

By Michael Wilmington

The 39 Steps
Movie thrillers may come and go, but after half a century, Alfred Hitchcock’s The 39 Steps still reigns supreme. And not only for the sheer, breathless excitement of the story; the seamless construction; the chilling, beautifully realized atmospher…

By Michael Wilmington