Author Spotlight

Mark Le Fanu

Mark Le Fanu teaches film at University College London. He has written extensively about Russian and Japanese cinema. His most recent book, Believing in Film: Christianity and Classic European Cinema (Bloomsbury, 2018), has just been issued in paperback.

10 Results
Come and See: Orphans of the Storm

With extraordinary immediacy, Elem Klimov’s magisterial final film brings to life the barbarity of war, a subject of which the director had firsthand knowledge.

By Mark Le Fanu

Stalker: Meaning and Making

During a period of personal turmoil, Andrei Tarkovsky created this enigmatic masterpiece, which explores spiritual and metaphysical mysteries through the prism of a science-fiction epic.

By Mark Le Fanu

Here Is Your Life: Great Expectations

As visually and sociopolitically expansive as it is intimate in its details of a boy’s coming of age, Jan Troell’s film is one of the great cinematic debuts.

By Mark Le Fanu

Master of the House: In the Corner

Carl Theodor Dreyer’s spare and modern visual style perfectly complements this comic and soulful domestic comeuppance story.

By Mark Le Fanu

Babette’s Feast: “Mercy and Truth Have Met Together”

Gabriel Axel’s exquisite adaptation of Isak Dinesen’s short tale of grace through art provides spiritual and sensual sustenance.

By Mark Le Fanu

Wild Strawberries: “Where Is the Friend I Seek?”

Ingmar Bergman’s classic character study is a moving depiction of aging and regret but also joy and forgiveness.

By Mark Le Fanu

Sansho the Bailiff: The Lessons of Sansho

More than eighty films into his career, Kenji Mizoguchi made this emotionally devastating masterpiece, from a story by Ogai Mori.

By Mark Le Fanu

The King of Marvin Gardens: A Killing
The New Jersey resort town of Atlantic City provides the backdrop for two distinctive films made at opposite ends of the seventies: Bob Rafelson’s 1972 The King of Marvin Gardens and Louis Malle’s Atlantic City, released in 1981. That decade s…

By Mark Le Fanu

Red Desert: In This World
A new man is being born, fraught with all the fears and terrors and stammerings that are associated with a period of gestation. —Michelangelo Antonioni Red Desert came out in 1964, almost twenty years after the end of the war, by which time Ital…

By Mark Le Fanu

Vampyr’s Ghosts and Demons
Aglance at Vampyr should begin with a glance at its Danish begetter, Carl Theodor Dreyer (1889–1968), whose relatively restricted output has not prevented him from being spoken of as one of the greatest film directors of all time. The accolade rest…

By Mark Le Fanu