Author Spotlight

Michael Wood

Michael Wood teaches English and comparative literature at Princeton. He is the author of America in the Movies and a study of Luis Buñuel’s Belle de jour. His most recent book is Literature and the Taste of Knowledge.

6 Results
Fellini Satyricon: Not Just Friends

Federico Fellini’s fragmentary and picturesque tale of death and debauchery in ancient Rome is a surreal take on reality.

By Michael Wood

The Great Dictator: The Joker and the Madman
In 1938, Charles Chaplin deposited with the Library of Congress a script for a film to be called The Dictator, and told the press it was a project in which he would play a double role. He clearly had Hitler in mind, and a headline in the English ne…

By Michael Wood

Remembrance of Things Past: The Leopard
Giuseppe di Lampedusa’s novel The Leopard had a hard time finding a publisher but was well-known by the time Luchino Visconti began working on his film of the same name. The book appeared in Italy in 1958 and was subsequently translated into many l…

By Michael Wood

Simon of the Desert: Damned If You Do . . .

Luis Buñuel’s surrealist satire is the last film he made in Mexico, the last one in which he used Mexican actors, and most significantly the last one on which he worked with the great Mexican cinematographer Gabriel Figueroa.

By Michael Wood

Missing: “Who Would Care About Us If We Disappeared?”

Costa-Gavras’s film pointedly raised issues that for many people were only dimly in the air at the time, and which have become more and more unavoidable in recent years, as the United States has openly assumed its imperial role.

By Michael Wood

Viridiana: The Human Comedy

Luis Buñuel’s merciless satire concerns the smallness of our vision of progress and our narrow attempts to achieve it through rational or moralistic planning.

By Michael Wood