Gregg Araki

The Doom Generation

The Doom Generation

Gregg Araki takes a road trip to hell in this wild, meth- and fast-food-fueled joyride through the margins of a menacing American wasteland. When they inadvertently link up with a dangerously alluring drifter (Johnathon Schaech), a chilled-out Cali bro (James Duval) and his spiky, foulmouthed girlfriend (Rose McGowan) find themselves on an increasingly violent, kinky, and darkly comic journey in which erotic tensions rise along with the body count. Working with a significant budget for the first time, Araki employs boldly stylized lighting and art direction to create a heightened sense of unreality in a shocking, shoegaze-soundtracked chronicle of young lives careening toward oblivion.

Film Info

  • United States
  • 1995
  • 83 minutes
  • Color
  • 1.85:1
  • English

Available In

Collector's Set

Gregg Araki’s Teen Apocalypse Trilogy

Gregg Araki’s Teen Apocalypse Trilogy

4K UHD+Blu-ray Combo Box Set

3 Discs

$69.95

Collector's Set

Gregg Araki’s Teen Apocalypse Trilogy

Gregg Araki’s Teen Apocalypse Trilogy

Blu-ray Box Set

2 Discs

$48.96

The Doom Generation
Cast
James Duval
Jordan White
Rose McGowan
Amy Blue
Johnathon Schaech
Xavier Red
Credits
Director
Gregg Araki
Writer
Gregg Araki
Editor
Gregg Hale
Produced by
Andrea Sperling
Produced by
Gregg Araki
Produced by
Why Not Productions (France)
Director of photography
Jim Fealy
Production designer
Thérèse DePrez
Costume designer
Cathy Cooper
Art director
Michael Krantz
Hair and makeup
Jason Rail
Associate producer
Jim Stark
Associate producer
Shelley Surpin
Producer for UGC
Yves Marmion
Executive producer
Nicole Arbib
Executive producer
Pascal Caucheteux
Executive producer
Grégoire Sorlat

Current

Gregg Araki’s Teen Apocalypse Trilogy: No Fucks Given
Gregg Araki’s Teen Apocalypse Trilogy: No Fucks Given

Emerging out of the mass death, cultural ferment, and semiotic tumult of the 1990s, this trio of deliriously profane films glares at American youth culture and gives zero shits if it looks back.

By Nathan Lee