Metin Erksan

Dry Summer

Dry Summer

Winner of the prestigious Golden Bear at the 1964 Berlin International Film Festival, Metin Erksan’s wallop of a melodrama follows the machinations of an unrepentantly selfish tobacco farmer who builds a dam to prevent water from flowing downhill to his neighbors’ crops. Alongside this tale of soul-devouring competition is one of overheated desire, as a love triangle develops between the farmer, his more decent brother, and the beautiful villager the latter takes as his bride. A benchmark of Turkish cinema, this is a visceral, innovatively shot and vibrantly acted depiction of the horrors of greed.


Dry Summer was restored in 2008 by the Cineteca di Bologna/L’Immagine Ritrovata laboratory, in association with The Film Foundation’s World Cinema Project, Ulvi Dogan, and Fatih Akim. Additional elements provided by the Friedrich Wilhelm Murnau Stiftung. Restoration funded by Armani, Cariter, Qatar Airways, and Qatar Museum Authority.

Film Info

  • Turkey
  • 1964
  • 90 minutes
  • Black & White
  • 1.33:1
  • Turkish
  • Spine #688

Available In

Collector's Set

Martin Scorsese’s World Cinema Project No. 1

Martin Scorsese’s World Cinema Project No. 1

Blu-ray/DVD Combo Box Set

9 Discs

$99.96

Dry Summer
Cast
Erol Taş
Osman
Hülya Koçyiğit
Bahar
Ulvi Doğan
Hasan
Hakki Haktan
Veli Sari
Credits
Director
Metin Erksan
Produced by
Metin Erksan
Produced by
Ulvi Doğan
Original story
Necati Cumali
Screenplay
Metin Erksan
Screenplay
Kemal Inci
Screenplay
Ismet Soydan
Director of photography
Ali Uğur
Film editor and sound
Turgut Inangiray
Music direction
Ahmet Yamaç

Current

Dry Summer: The Laws of Nature
Dry Summer: The Laws of Nature

Metin Erksan’s shocking and sensuous tale of greed and rural life was part of a vibrant Turkish cinema of the fifties and sixties.

By Bilge Ebiri

World Cinema Project: Recalled to Life
World Cinema Project: Recalled to Life

The critic and WCP executive director offers a personal take on art cinema and a primer on the project’s scope and mission.

By Kent Jones