Ingmar Bergman

All These Women

All These Women

Conceived as an amusing diversion in the wake of Ingmar Bergman’s despairing trilogy, this comedy is the director’s first film in color, and it is an opulent visual feast. Working from a bawdy screenplay he cowrote with actor Erland Josephson, about a supercilious critic drawn into the dizzying orbit of a famous cellist, Bergman brings together buoyant comic turns by a number of his frequent collaborators, including Jarl Kulle, Eva Dahlbeck, Harriet Andersson, and Bibi Andersson. All These Women, in which Bergman pokes fun at the pretensions of drawing-room art, possesses a distinctly playful atmosphere and carefree cadences.

Film Info

  • Sweden
  • 1964
  • 80 minutes
  • Color
  • 1.37:1
  • Swedish

Available In

Collector's Set

Ingmar Bergman’s Cinema

Ingmar Bergman’s Cinema

Blu-ray Box Set

30 Discs

$209.96

All These Women
Cast
Jarl Kulle
Cornelius
Bibi Andersson
Bumblebee
Harriet Andersson
Isolde
Eva Dahlbeck
Adelaide
Karin Kavli
Madame Tussaud
Gertrud Fridh
Traviata
Mona Malm
Cecilia
Barbro Hiort af Ornäs
Beatrice
Allan Edwall
Jillker
Georg Funkquist
Tristan
Carl Billquist
The young man
Credits
Director
Ingmar Bergman
Screenplay
Ingmar Bergman
Screenplay
Erland Josephson
Producer
Allan Ekelund
Music
Erik Nordgren
Cinematographer
Sven Nykvist
Editor
Ulla Ryghe
Production design
P. A. Lundgren
Costume design
Mago
Makeup
Cecilia Drott
Makeup
Britt Falkemo
Makeup
Börje Lundh
Sound
Tage Sjöborg

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Ingmar Bergman

Director

Ingmar Bergman
Ingmar Bergman

The Swedish auteur began his artistic career in the theater but eventually navigated toward film—"the great adventure," as he called it—initially as a screenwriter and then as a director. Simply put, in the fifties and sixties, the name Ingmar Bergman was synonymous with European art cinema. Yet his incredible run of successes in that era—including The Seventh Seal, Wild Strawberries, and The Virgin Spring, haunting black-and-white elegies on the nature of God and death—merely paved the way for a long and continuously dazzling career that would take him from the daring “Silence of God” trilogy (Through a Glass Darkly, Winter Light, The Silence) to the existential terrors of Cries and Whispers to the family epic Fanny and Alexander, with which he “retired” from the cinema. Bergman died in July 2007, leaving behind one of the richest bodies of work in the history of cinema.