Eclipse Series 6: Carlos Saura’s Flamenco Trilogy
One of Spanish cinema’s great auteurs, Carlos Saura brought international audiences closer to the art of his country’s dance than any other filmmaker, before or since. In his Flamenco Trilogy—Blood Wedding, Carmen, and El amor brujo—Saura merged his passion for music with his exploration of national identity. All starring and choreographed by legendary dancer Antonio Gades, the films feature thrilling physicality and electrifying cinematography and editing—colorful paeans to bodies in motion as well as to cinema itself.
Films In This Set
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Blood Wedding
1981
Carlos Saura began what would become his Flamenco Trilogy with this depiction of a single dress rehearsal for choreographer Antonio Gades’s adaptation of poet and playwright Federico García Lorca’s tale of passionate revenge. No mere recording of a ballet, Blood Wedding (Bodas de sangre) uses gripping camera work and heart-pounding rhythmic editing to evoke the experience of moving with the dancers every step of the way.
Blood Wedding was restored in 4K resolution by Mercury Films. -
Carmen
1983
Carlos Saura’s biggest international box-office success was this self-reflexive meditation on both Georges Bizet’s popular opera Carmen and the original novella by Prosper Mérimée. Antonio Gades plays a choreographer who gets involved with his neophyte lead dancer (Laura del Sol), and grows dangerously jealous. Depicting the ups and downs of their affair in between rehearsals for Gades’s ballet, Carmen is a visually hypnotic hall of mirrors in which the dancers become inseparable from their personas.
Carmen was restored in 4K resolution by Mercury Films.
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El amor brujo
1986
The Flamenco Trilogy’s most straightforward narrative is also its most forthrightly theatrical, a modern take on composer Manuel de Falla’s Roma ballet, dressed up in pink sunsets and hellishly red fires. Set in a dusty Andalusian village, El amor brujo (Love, the Magician) is a seductive melodrama of a man (Antonio Gades) whose beloved is haunted by the ghost of another.
El amor brujo was restored in 4K resolution by Mercury Films.
Special Features
An essay by author and film critic Michael Koresky
Films In This Set
-
Blood Wedding
1981
Carlos Saura began what would become his Flamenco Trilogy with this depiction of a single dress rehearsal for choreographer Antonio Gades’s adaptation of poet and playwright Federico García Lorca’s tale of passionate revenge. No mere recording of a ballet, Blood Wedding (Bodas de sangre) uses gripping camera work and heart-pounding rhythmic editing to evoke the experience of moving with the dancers every step of the way.
Blood Wedding was restored in 4K resolution by Mercury Films. -
Carmen
1983
Carlos Saura’s biggest international box-office success was this self-reflexive meditation on both Georges Bizet’s popular opera Carmen and the original novella by Prosper Mérimée. Antonio Gades plays a choreographer who gets involved with his neophyte lead dancer (Laura del Sol), and grows dangerously jealous. Depicting the ups and downs of their affair in between rehearsals for Gades’s ballet, Carmen is a visually hypnotic hall of mirrors in which the dancers become inseparable from their personas.
Carmen was restored in 4K resolution by Mercury Films.
-
El amor brujo
1986
The Flamenco Trilogy’s most straightforward narrative is also its most forthrightly theatrical, a modern take on composer Manuel de Falla’s Roma ballet, dressed up in pink sunsets and hellishly red fires. Set in a dusty Andalusian village, El amor brujo (Love, the Magician) is a seductive melodrama of a man (Antonio Gades) whose beloved is haunted by the ghost of another.
El amor brujo was restored in 4K resolution by Mercury Films.
Special Features
An essay by author and film critic Michael Koresky
A scene from Blood Wedding
A scene from Carmen
A scene from El amor brujo
Blood Wedding
Carmen
El amor brujo