Paul Robeson: Portraits of the Artist
All-American athlete, scholar, renowned baritone, stage actor, and social activist, Paul Robeson (1898-1976) was a towering figure and a trailblazer many times over. He was perhaps most groundbreaking, however, in the medium of film. The son of an escaped slave, Robeson managed to become a top-billed movie star during the time of Jim Crow America, headlining everything from fellow pioneer Oscar Micheaux's silent drama Body and Soul to British studio showcases to socially engaged documentaries, all the while striving to project positive images of black characters. Increasingly politically minded, Robeson eventually left movies behind, using his international celebrity to speak for those denied their civil liberties around the world and ultimately becoming a victim of ideological persecution himself. But his film legacy lives on and continues to speak eloquently of the long and difficult journey of a courageous and outspoken African-American.
Films In This Set
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Body and Soul
1925
Although the 1920s brought him acclaim as a stage actor and singer, Paul Robeson still had to prove himself as a viable screen performer. Mainstream avenues were limited, however, and his first films were made on the peripheries of the film business. Body and Soul, directed by the legendary African American filmmaker Oscar Micheaux, is a direct critique of the power of the cloth, casting Robeson in dual roles as a jackleg preacher and a well-meaning inventor.
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Borderline
1930
Although the 1920s brought him acclaim as a stage actor and singer, Paul Robeson still had to prove himself as a viable screen performer. Mainstream avenues were limited, however, and his first films were made on the peripheries of the film business. Borderline, the sole feature of British film theorist Kenneth Macpherson, boldly blends Eisensteinian montage and domestic melodrama, and features Robeson and his wife, Eslanda, as lovers caught up in a tangled web of interracial affairs.
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The Emperor Jones
1933
Of all Paul Robeson's eleven starring film performances, by far his most iconic was his breakthrough in the big-screen adaptation of Eugene O'Neill's The Emperor Jones (1933). He was already a legend for his stage incarnation of Brutus Jones, a Pullman porter who powers his way to the rule of a Caribbean island, but with this, his first sound-era film role, his regal image was married to his booming voice for eternity. With The Emperor Jones, Robeson became the first African-American leading man in mainstream movies and, he said, gained a deeper understanding of cinema's potential to change racial misconceptions. Previously censored, The Emperor Jones is presented here in its most complete form.
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Paul Robeson: Tribute to an Artist
1979
Saul J. Turell's Academy Award-winning documentary short Paul Robeson: Tribute to an Artist, narrated by Sidney Poitier, traces his career through his activism and his socially charged performances of his signature song, "Ol' Man River."
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Sanders of the River
1935
Seeking out new avenues for his artistry, Paul Robeson moved his family to London in 1928. During the next twelve years, he headlined six British films, pioneering uncharted territory for black actors and reaching a level of prominence unthinkable in Hollywood. Robeson's first British production, Zoltán Korda's Sanders of the River, however, ended up being an embarrassment for the actor, its story of an African tribal leader transformed into a celebration of the British Empire.
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Jericho
1937
Seeking out new avenues for his artistry, Paul Robeson moved his family to London in 1928. During the next twelve years, he headlined six British films, pioneering uncharted territory for black actors and reaching a level of prominence unthinkable in Hollywood. Robeson's first British production, Zoltán Korda's Sanders of the River, however, ended up being an embarrassment for the actor, its story of an African tribal leader transformed into a celebration of the British Empire. As a result, Robeson sought more artistic control, eventually achieving it with Jericho, which features Robeson in what turned out to be his most satisfying film role, as a World War I officer who escapes his fate as a black man by fleeing to Africa and creating a new world for himself.
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The Proud Valley
1940
By the start of World War II, Paul Robeson had given up his lucrative mainstream work to participate in more socially progressive film and stage productions. As David Goliath, in the popular British drama The Proud Valley, Robeson is the quintessential everyman, an American sailor who joins rank-and-file Welsh miners organizing against the powers that be.
-
Native Land
1942
By the start of World War II, Paul Robeson had given up his lucrative mainstream work to participate in more socially progressive film and stage productions. Robeson committed his support to Paul Strand and Leo Hurwitz's political semidocumentary Native Land. With Robeson's narration and songs, this beautifully shot and edited film exposes violations of Americans' civil liberties and is a call to action for exploited workers around the country. Scarcely shown since its debut, Native Land represents Robeson's shift from narrative cinema to the leftist documentaries that would define the final chapter of his controversial film career.
Special Features
- All new, digital transfers created from the best surviving elements
- Audio commentaries by historians Jeffrey C. Stewart (The Emperor Jones) and Pearl Bowser (Body and Soul)
- Musical scores by Wycliffe Gordon (Body and Soul) and Courtney Pine (Borderline)
- 1958 Pacifica Radio interview with Paul Robeson (Courtesy of Pacifica Radio Archives)
- Four new video programs featuring interviews with actors Ruby Dee and James Earl Jones, filmmaker William Greaves, cinematographer Tom Hurwitz, film historians Ian Christie and Stephen Bourne, and Paul Robeson Jr., and including film clips from Song of Freedom (1936), King Solomon's Mines (1937), and Big Fella (1938)
- English subtitles for the deaf and hard of hearing
- PLUS: A book featuring an excerpt from Paul Robeson's Here I Stand, new essays by Clement Alexander Price, Hilton Als, Charles Burnett, Ian Christie, Deborah Willis, and Charles Musser, a reprinted article by Harlem Renaissance writer Geraldyn Dismond, and a note from Pete Seeger
New covers by Rodrigo Corral
Films In This Set
-
Body and Soul
1925
Although the 1920s brought him acclaim as a stage actor and singer, Paul Robeson still had to prove himself as a viable screen performer. Mainstream avenues were limited, however, and his first films were made on the peripheries of the film business. Body and Soul, directed by the legendary African American filmmaker Oscar Micheaux, is a direct critique of the power of the cloth, casting Robeson in dual roles as a jackleg preacher and a well-meaning inventor.
-
Borderline
1930
Although the 1920s brought him acclaim as a stage actor and singer, Paul Robeson still had to prove himself as a viable screen performer. Mainstream avenues were limited, however, and his first films were made on the peripheries of the film business. Borderline, the sole feature of British film theorist Kenneth Macpherson, boldly blends Eisensteinian montage and domestic melodrama, and features Robeson and his wife, Eslanda, as lovers caught up in a tangled web of interracial affairs.
-
The Emperor Jones
1933
Of all Paul Robeson's eleven starring film performances, by far his most iconic was his breakthrough in the big-screen adaptation of Eugene O'Neill's The Emperor Jones (1933). He was already a legend for his stage incarnation of Brutus Jones, a Pullman porter who powers his way to the rule of a Caribbean island, but with this, his first sound-era film role, his regal image was married to his booming voice for eternity. With The Emperor Jones, Robeson became the first African-American leading man in mainstream movies and, he said, gained a deeper understanding of cinema's potential to change racial misconceptions. Previously censored, The Emperor Jones is presented here in its most complete form.
-
Paul Robeson: Tribute to an Artist
1979
Saul J. Turell's Academy Award-winning documentary short Paul Robeson: Tribute to an Artist, narrated by Sidney Poitier, traces his career through his activism and his socially charged performances of his signature song, "Ol' Man River."
-
Sanders of the River
1935
Seeking out new avenues for his artistry, Paul Robeson moved his family to London in 1928. During the next twelve years, he headlined six British films, pioneering uncharted territory for black actors and reaching a level of prominence unthinkable in Hollywood. Robeson's first British production, Zoltán Korda's Sanders of the River, however, ended up being an embarrassment for the actor, its story of an African tribal leader transformed into a celebration of the British Empire.
-
Jericho
1937
Seeking out new avenues for his artistry, Paul Robeson moved his family to London in 1928. During the next twelve years, he headlined six British films, pioneering uncharted territory for black actors and reaching a level of prominence unthinkable in Hollywood. Robeson's first British production, Zoltán Korda's Sanders of the River, however, ended up being an embarrassment for the actor, its story of an African tribal leader transformed into a celebration of the British Empire. As a result, Robeson sought more artistic control, eventually achieving it with Jericho, which features Robeson in what turned out to be his most satisfying film role, as a World War I officer who escapes his fate as a black man by fleeing to Africa and creating a new world for himself.
-
The Proud Valley
1940
By the start of World War II, Paul Robeson had given up his lucrative mainstream work to participate in more socially progressive film and stage productions. As David Goliath, in the popular British drama The Proud Valley, Robeson is the quintessential everyman, an American sailor who joins rank-and-file Welsh miners organizing against the powers that be.
-
Native Land
1942
By the start of World War II, Paul Robeson had given up his lucrative mainstream work to participate in more socially progressive film and stage productions. Robeson committed his support to Paul Strand and Leo Hurwitz's political semidocumentary Native Land. With Robeson's narration and songs, this beautifully shot and edited film exposes violations of Americans' civil liberties and is a call to action for exploited workers around the country. Scarcely shown since its debut, Native Land represents Robeson's shift from narrative cinema to the leftist documentaries that would define the final chapter of his controversial film career.
Special Features
- All new, digital transfers created from the best surviving elements
- Audio commentaries by historians Jeffrey C. Stewart (The Emperor Jones) and Pearl Bowser (Body and Soul)
- Musical scores by Wycliffe Gordon (Body and Soul) and Courtney Pine (Borderline)
- 1958 Pacifica Radio interview with Paul Robeson (Courtesy of Pacifica Radio Archives)
- Four new video programs featuring interviews with actors Ruby Dee and James Earl Jones, filmmaker William Greaves, cinematographer Tom Hurwitz, film historians Ian Christie and Stephen Bourne, and Paul Robeson Jr., and including film clips from Song of Freedom (1936), King Solomon's Mines (1937), and Big Fella (1938)
- English subtitles for the deaf and hard of hearing
- PLUS: A book featuring an excerpt from Paul Robeson's Here I Stand, new essays by Clement Alexander Price, Hilton Als, Charles Burnett, Ian Christie, Deborah Willis, and Charles Musser, a reprinted article by Harlem Renaissance writer Geraldyn Dismond, and a note from Pete Seeger
New covers by Rodrigo Corral