Eclipse Series 44: Julien Duvivier in the Thirties
Remembered primarily for directing the classic crime drama Pépé le moko, Julien Duvivier was one of the finest filmmakers working in France in the 1930s. Thanks to a formidable innate understanding of the cinematic medium, Duvivier made the transition from silents to talkies with ease, marrying his expressive camera work to a strikingly inventive use of sound with a singular dexterity. His deeply shadowed, fatalistic early sound films David Golder and La tête d’un homme anticipate the poetic realist style that would come to define the decade in French cinema and, together with the small-town family drama Poil de Carotte and the swooning tale of love and illusion Un carnet de bal, showcase his stunning versatility. These four films—all featuring the great stage and screen actor Harry Baur—are collected here, each evidence of an immense and often overlooked cinematic talent.
Films In This Set
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David Golder
1930
The first sound film by Julien Duvivier also marked his first collaboration with the marvelous actor Harry Baur. Together, they brought to life the vivid protagonist of Irène Némirovsky’s best-selling first novel, an avaricious, self-interested banker whose family life is as tempestuous as his business dealings. Directed with visual panache, this grim yet arresting tale showcases Duvivier’s preternatural cinematic maturity during a transitional phase for the French film industry.
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Poil de carotte
1932
Julien Duvivier remade his own silent adaptation of a popular turn-of-the-twentieth-century novella and play for the sound era, resulting in one of his most beloved films. In a tremendously moving performance, Robert Lynen plays the neglected young François, mockingly called Poil de Carotte (Carrottop) by his family for his mop of red hair. Duvivier sensitively charts the rural daily life of a boy desperate to connect with others, especially his distracted father, played by the chameleonic Harry Baur.
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La tête d’un homme
1933
This meticulously crafted adaptation stars Harry Baur as novelist Georges Simenon’s indelible creation Inspector Maigret, investigating the odd circumstances surrounding the killing of a wealthy American woman in Paris. Every bit Baur’s equal is the Russian émigré actor Valéry Inkijinoff, cast as a reptilian, nihilistic medical student. Julien Duvivier gives the viewer one evocative image after another, constructing a work of sinister beauty.
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Un carnet de bal
1937
A rich widow, nostalgic for the lavish parties of her youth, embarks on a journey to reconnect with the many suitors who once courted her. In doing so, she sets off on a course of discovery, both of herself and of how greatly the world has changed in two decades. Julien Duvivier’s smash hit is a wry, visually inventive tale of romantic pragmatism that deftly combines comedy and drama.
Films In This Set
-
David Golder
1930
The first sound film by Julien Duvivier also marked his first collaboration with the marvelous actor Harry Baur. Together, they brought to life the vivid protagonist of Irène Némirovsky’s best-selling first novel, an avaricious, self-interested banker whose family life is as tempestuous as his business dealings. Directed with visual panache, this grim yet arresting tale showcases Duvivier’s preternatural cinematic maturity during a transitional phase for the French film industry.
-
Poil de carotte
1932
Julien Duvivier remade his own silent adaptation of a popular turn-of-the-twentieth-century novella and play for the sound era, resulting in one of his most beloved films. In a tremendously moving performance, Robert Lynen plays the neglected young François, mockingly called Poil de Carotte (Carrottop) by his family for his mop of red hair. Duvivier sensitively charts the rural daily life of a boy desperate to connect with others, especially his distracted father, played by the chameleonic Harry Baur.
-
La tête d’un homme
1933
This meticulously crafted adaptation stars Harry Baur as novelist Georges Simenon’s indelible creation Inspector Maigret, investigating the odd circumstances surrounding the killing of a wealthy American woman in Paris. Every bit Baur’s equal is the Russian émigré actor Valéry Inkijinoff, cast as a reptilian, nihilistic medical student. Julien Duvivier gives the viewer one evocative image after another, constructing a work of sinister beauty.
-
Un carnet de bal
1937
A rich widow, nostalgic for the lavish parties of her youth, embarks on a journey to reconnect with the many suitors who once courted her. In doing so, she sets off on a course of discovery, both of herself and of how greatly the world has changed in two decades. Julien Duvivier’s smash hit is a wry, visually inventive tale of romantic pragmatism that deftly combines comedy and drama.
